{"id":1222,"date":"2022-02-20T14:54:22","date_gmt":"2022-02-20T14:54:22","guid":{"rendered":"https:\/\/innocentia-inviolata.fr\/en\/?page_id=1222"},"modified":"2026-07-17T10:15:34","modified_gmt":"2026-07-17T10:15:34","slug":"writings","status":"publish","type":"page","link":"https:\/\/innocentia-inviolata.fr\/en\/writings\/","title":{"rendered":"Writing & adaptations"},"content":{"rendered":"

In 2007, C\u00e9line Nogueira writes her first solo piece : Noli me tangere \/ Ne me touche pas<\/em><\/strong>. The Th\u00e9\u00e2tre national de Toulouse and La Gare aux artistes invite her to put it on stage. The piece played for four seasons alternately with Lucie Muratet and was published in 2012 by \u00c9ditions Indigo-C\u00f4t\u00e9 Femmes, before being under study at Sorbonne Universit\u00e9 and Paris 8.<\/span><\/p>\n

In 2021, C\u00e9line Nogueira is commissioned by the Centre National des Arts de la Rue et de l’espace public (L\u2019Usine) to be artistic director of La Nuit Bleue<\/strong> at the Mus\u00e9e du Quai des Savoirs.\u00a0 She starts writing what will become a triptych- a <\/span>series of hybrid and atypical immersive works including Cr\u00e9atures d\u2019Amour et de D\u00e9sirs<\/i><\/a>, Le Banquet, <\/i><\/a><\/strong>and Au commencement \u00e9tait le ventre…<\/em> <\/strong>performed in theatres and museums.<\/span><\/p>\n

She has also written and directed Pa.tri.ar.chy<\/strong><\/a> (2017)<\/span><\/i>, an adapation from Sophie Treadwell\u2019s Machinal<\/i>, as well as two adaptations from Shakespeare’s tragedies : Of Kings and Men<\/i><\/strong> <\/i>(2009) <\/b>and <\/span>Stand up For Bastards!<\/strong> <\/a>(<\/i>2019)<\/span><\/p>\n

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\"NE\"\"<\/p>\n

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“Je respire pour deux : une inspire pour moi, une inspire pour toi. Je ne pleure pas j\u2019inonde, je ne crie pas je fais vibrer le monde, je ne mets pas au monde je cr\u00e9e le vivant, je ne grogne pas je rugis. Je ne te sens pas\u2026 toute ma chair mon sang ma g\u00e9n\u00e9alogie te vis.” <\/em>Le banquet.<\/strong><\/p>\n