{"version":"1.0","provider_name":"INNOCENTIA INVIOLATA","provider_url":"https:\/\/innocentia-inviolata.fr\/en","author_name":"C\u00e9line Nogueira","author_url":"https:\/\/innocentia-inviolata.fr\/en\/author\/celine\/","title":"Writing & adaptations - INNOCENTIA INVIOLATA","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\"><a href=\"https:\/\/innocentia-inviolata.fr\/en\/writings\/\">Writing &#038; adaptations<\/a><\/blockquote>\n<script type='text\/javascript'>\n<!--\/\/--><![CDATA[\/\/><!--\n\t\t\/*! This file is auto-generated *\/\n\t\t!function(d,l){\"use strict\";var e=!1,n=!1;if(l.querySelector)if(d.addEventListener)e=!0;if(d.wp=d.wp||{},!d.wp.receiveEmbedMessage)if(d.wp.receiveEmbedMessage=function(e){var t=e.data;if(t)if(t.secret||t.message||t.value)if(!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var r,i,a,s=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),c=0;c<n.length;c++)n[c].style.display=\"none\";for(c=0;c<s.length;c++)if(r=s[c],e.source===r.contentWindow){if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(a=parseInt(t.value,10)))a=1e3;else if(~~a<200)a=200;r.height=a}if(\"link\"===t.message)if(i=l.createElement(\"a\"),a=l.createElement(\"a\"),i.href=r.getAttribute(\"src\"),a.href=t.value,o.test(a.protocol))if(a.host===i.host)if(l.activeElement===r)d.top.location.href=t.value}}},e)d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",t,!1),d.addEventListener(\"load\",t,!1);function t(){if(!n){n=!0;for(var e,t,r=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),i=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),a=l.querySelectorAll(\"iframe.wp-embedded-content\"),s=0;s<a.length;s++){if(!(e=a[s]).getAttribute(\"data-secret\"))t=Math.random().toString(36).substr(2,10),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t);if(r||i)(t=e.cloneNode(!0)).removeAttribute(\"security\"),e.parentNode.replaceChild(t,e)}}}}(window,document);\n\/\/--><!]]>\n<\/script><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/innocentia-inviolata.fr\/en\/writings\/embed\/\" width=\"600\" height=\"338\" title=\"&#8220;Writing &#038; adaptations&#8221; &#8212; INNOCENTIA INVIOLATA\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe>","thumbnail_url":"https:\/\/innocentia-inviolata.fr\/wp-content\/uploads\/3P0A4588-scaled.jpg","thumbnail_width":1707,"thumbnail_height":2560,"description":"In 2007, C\u00e9line Nogueira writes her first solo piece : Noli me tangere \/ Ne me touche pas. The Th\u00e9\u00e2tre national de Toulouse and La Gare aux artistes invite her to put it on stage. The piece played for four seasons alternately with Lucie Muratet and was published in 2012 by \u00c9ditions Indigo-C\u00f4t\u00e9 Femmes, before&nbsp;Read more"}